Showing posts with label media criticism. Show all posts
Showing posts with label media criticism. Show all posts

Saturday, May 15, 2010

Gunsmoke STILL Beats Law & Order

The cancellation of the original Law & Order series after 20 seasons has TV writers everywhere comparing the run of the Dick Wolf series to Gunsmoke, which also ran for 20 seasons on TV.

Of course, everybody (?) knows that Gunsmoke began on radio, and ran three seasons before also becoming a TV program (albeit with a different cast). By this count, Gunsmoke handily beats Law & Order for longest running primetime series with a 23-year run.

Heck, if we start counting combined radio & TV runs, there are probably other shows that beat Gunsmoke (like the Jack Benny Program, for instance).

I realize this is a silly argument, but it would be nice to see the radio origins of Gunsmoke called out by a current media writer someplace, if only for additional accurate context. Once again, I am reminded of the bizarre wire story from last year that said the radio-and-then-TV soap opera Guiding Light "predated television."

Until then, I guess there's only one way to handle the killers and the spoilers . . . with a U.S. Marshal and the smell of . . . quality media criticism!

Tuesday, December 15, 2009

Twisting the Dial: Miscellaneous Radio (and Local TV) Matters

SEATTLE RADIO THEATRE WRAP-UP
Another year of Seattle Radio Theatre has come and gone, and our tenth annual broadcast was probably the best yet. Thanks to terrific preview stories in the Seattle Post-Intelligencer and the Seattle Times, we had our biggest audience ever, with 450 enthusiastic radio drama fans filling the seats at Town Hall. AM 1090 KPTK posted online audio today, and the show will be rebroadcast on Friday, December 24 at 7:00 pm. I can't thank the amazing cast enough, including Pat Cashman, Tracey Conway, Steve Wilson, Chris Wedes, Jim Dever, John Maynard, Lee Callahan, Chris Topping, Dolores Rogers, Katie Cashman, Sophia Banel and Ralph Bevins; plus Rob Jones on piano and Curtis Takahashi performing live sound effects; Wier Harman and his crew at Town Hall Seattle; Paul Van Erem, Apryl Battin and Brittany Collier at KPTK; and the good folks at Not A Number. I hope we can do another show next year and the year after that!

SEATTLE RADIO AND JOHN LENNON'S DEATH
I wrote a piece for Crosscut.com last week about my memories (and crude aircheck tapes) of Seattle FM radio the night that John Lennon was murdered. In my humble estimation, that shared experience via radio was more powerful than a Tweet or a Status Update under similar circumstances nowadays.

KING-FM UPDATE: NO NEWS IS NO NEWS
Just posted on Crosscut.com this evening is a short piece about classical music station KING-FM's ongoing efforts to get over its current crisis. Even shorter version: it seems to me that KING-FM could do a better job of keeping its stakeholders (translation: loyal listeners) informed as to what's being done to address the situation.

JP PATCHES AND STAN BORESON HOLIDAY SPECIAL
Though not really a radio item, I can't resist plugging the holiday TV special I produced (along with Ralph Bevins) for the SEATTLE CHANNEL back in 2006. We had JP and Stan in the studio for short bits to weave together some vintage material, including a 1980 Stan Boreson reunion special produced by Steve Wilson for KING TV, and two separate JP Christmas specials from the 1970s. I'm very proud of the giant cardboard Christmas tree I made, plus the cardboard fireplace that I ordered from somewhere on the web. Also glad we left in the awesome KING production logo preceding the Boreson stuff, and the two Sears commercials in the JP material. Click here for complete online video.

Saturday, November 7, 2009

Recent Special News Coverage in Seattle

In the past 10 days, Seattle broadcasters have had two opportunities to cover significant news during the early afternoon period normally filled with talk shows, soaps and tabloid TV.

I wrote a week or so ago for Crosscut.com about radio (and TV) breaking news coverage of Boeing's announcement that it would locate a new factory someplace other than the Seattle area. It was HUGE news around here, where Boeing's been a major economic, civic and cultural factor for decades.

Then, yesterday (Friday, November 6, 2009), a massive memorial service was held for a Seattle Police Officer who was murdered on Halloween. While not breaking news, it was a major community event that all four local TV news departments and both commercial radio news stations preempted regular programming in order to air. I wrote today for Crosscut.com about differences in style and extent of radio and TV coverage.

Here's hoping for more UNINTERRUPTED talk shows, soaps and tabloid TV shows in the weeks, months and years ahead.

Sunday, October 25, 2009

Orson Welles, Major Bowes and . . . Balloon Dad?

I almost always enjoy reading Frank Rich's weekly column in the Sunday New York Times for his deft weaving of cultural and historical references into scathing contemporary comment. So I was especially pleased when I read Rich's column about "Balloon Dad" Richard Heene in today's (Sunday, October 25, 2009) New York Times, where the columnist makes two references to 1930s radio programs.

The first reference is to the much-cited War of the Worlds panic-inducing broadcast of October 1938. The second is to the now obscure Major Bowes Amateur Hour, something of a precursor to American Idol. I credit Rich for his fluency in American pre-television media history, and for being willing to regularly reference programs that few among the living can remember.

In fact, I think it was just last week (or maybe the week before) that Rich's column mentioned another 1930s radio figure: controversial priest of the airwaves Father Coughlin. With all these radio references flying around, I can't wait to see how Rich will work Amos 'n' Andy into a column about the run-off election in Afghanistan ("I's regusted, President Karzai!"); Joe Penner into a column about stalled health care reform ("Wanna buy a public option?"); and Jack Pearl into a column about Speaker of the House Pelosi ("Vas you dere, Nancy?).

On a semi-related media metaphor note, another talented New York Times writer a few years ago (who I've been unable to identify and unable to find online) brilliantly called pioneering 1990s tabloid video perps Amy Fisher and Joey Buttafuoco the "Howdy Doody and Buffalo Bob of Reality TV."

This kind of lively, informed writing is exactly what media criticism needs more of, if only to balance what typically comprises the broadcast beat: puff piece performer profiles and cautionary tales of talk radio that use the word "demagogue."

Otherwise, media criticism may as well be written by Charlie McCarthy.

Tuesday, August 25, 2009

Media Convergence, circa 1984

With all the talk lately of the crisis facing traditional media (again!), especially this provocative article by Terry Teachout of the Wall Street Journal, it reminded me of a little "media convergence" ritual that I used to enact several days a week 25 years ago, with help from the Columbia Broadcasting System. (Note: thanks to Jerry Del Colliano's always thought-provoking Inside Music Media blog and e-newsletter for pointing me to the Wall Street Journal article in the first place.)

I lived close enough to my high school to often come home for lunch and catch the last ten minutes or so of The Price Is Right with Bob Barker (this was in the glory days, when I knew the first names of all the Price Is Right models--wasn't it Janice, Holly and Carol?) Just after TPIR ended with Barker's traditional spay and neuter entreaty (just shy of the top of the hour—maybe at 10:58 am Pacific Time), CBS Television would present a short, live "newsbreak" broadcast anchored by longtime CBS newsman Douglas Edwards. As soon as this 90-second video newsbreak was over, I’d head to the bathroom I shared with my father and brothers, and which also housed a battered AM radio perpetually tuned to Seattle CBS Radio affiliate KIRO (710 AM).

I’d immediately hit the "ON" button and usually hear the local lead-in to the hourly CBS Radio newscast (promo for the next hour of KIRO's Midday with Jim French and/or local headlines) as I used the facilities and then got ready to brush my teeth before I had to return to school. More often than not, anchor for the hourly radio newscast was--you guessed it--Douglas Edwards, whose aged visage I ‘d just seen in living color on my parents’ TV set.

Hearing Douglas Edwards like this (after just seeing him) always made me feel like I was taking part in something cool, something obscure that maybe only I was paying any attention to (rather than "obscure," I almost said "rare," but that sounds a little too glorified for how small this is). Small or not, how many other radio voices (circa 1984 anyhow) could you see LIVE on television, only moments before you heard them LIVE on the radio?

Moments like these speak in a small way to the magic (which is a corny word, I know) possible when mass media is truly mass, which nowadays only happens during the Super Bowl and terrorists attacks (which are the only two occasions I know of when the majority of Americans tune into the same broadcast together--otherwise known as the First Down & 9/11 Effect--which is a name I just made up).

Current producers of audio and video content have little hope of reaching a mass audience, and I think that's unfortunate now, and even more so in the future as the audience becomes more and more segmented. Mass media is how Americans (and many other nationalities) collectively defined themselves for the last six decades of the 20th century--by listening to (and later watching) the same programs, often during live broadcasts, and simultaneously sharing national experiences. Collectively identifying as Americans--particularly with a population of increasing ethnic and socioeconomic diversity--is likely to be one of the great challenges of the 21st century. It remains to be seen whether media--new, old, mass, segmented, social or otherwise--will be of much help.